![]() Profoto has become synonymous with professional, high-end lighting and while it's pretty difficult to make a reflector stand out, Profoto has done its bit. ![]() That said, most people will only open and collapse a reflector once during a shoot, so the extra set-up time is negligible. It gets easier with practice, but will never be as effortless as a conventional pop-up design. In reality, the 12 clips can be a little fiddly and stiff to attach, especially when tensioning the fabric with the last couple of clips. The collapsible frame features a handle that incorporates a ¼” thread to attach the panel to a tripod head. The fabric then simply clips to the frame. The remarkable space-saving design is thanks to Lastolite’s RapidExoframe collapsible lightweight aluminium frame that quickly slots together like a tent pole. The detachable fabric is available with silver/white reflector surfaces, or there’s a 2-stop diffuser version these can be bought separately, so you only need buy one frame. Where a standard pop-up reflector usually collapses down to around one third its open diameter, the HaloCompact packs into a carry case just 27 x 6.5 x 6.5cm and weighs a mere 335g, yet opens up to a very versatile 82cm diameter. This diffuser can then converted into a reflector by adding a zip-on cover, with various surface colors available. Diffuser: A multi-surface reflector will usually be based around a translucent diffuser panel - this is great for softening direct light.Black: A black ‘reflector’ doesn’t reflect at all - it simply shields (or flags) light from your sitter to create a more dramatic, contrasty feel.Use sparingly, as it’s easy to make your model look too bronzed. Gold: Go for gold when shooting at sunset to maintain a warm look.In bright sunlight however it'll be too harsh. Silver: Silver reflectors are great when shooting in dull, grey conditions as it reflects more light.White: A white reflector gives a soft natural look and is one of the most popular choices for reflecting light.Once this is done, you should see that your character has a nice even shadow opposite of the key light.Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. For this you’ll want to use the black facing side of the reflector and situate it between your character and the reflective light source. But then you notice that there is a reflective light on the other side of the face and you would like that to be darkened with a shadow. There have been countless times on various sets where the natural light is great, especially later in the day, and your character is getting a great key light on the side of their face. Adding Shadowīehind the scenes of The Tree of Life via Fox SearchlightĪnother way to use a reflector creatively is to use it as a shader. This will cast a nice smooth light across your character versus a harsh light. If you’re working on location using natural light, then you can use the translucent side of your 5-in-1 reflector and place it between your character and the sun to diffuse it. In this case you’ll want to diffuse that light so your character isn’t harshly lit. Sometimes when filming you’ll find that you might have too much light. Here is a video from Film Riot that shows you how to do just that.īehind the scenes of The Hunger Games: Catching Fire via Lionsgate You can now use the reflector to bounce the sunlight onto their face, thus creating a key light. What you’ll want to do is place your talent with their backs to the sun. Now, if you find yourself on location with nothing but natural light, you can use a reflector to generate the key. It clearly highlights the form of your character. As a Key Lightīehind the scenes of Capitan America: The First Avenger via Marvel StudiosĪ key light is your most crucial light. Let’s look at ways to take advantage of this light by learning how to creatively use a reflector on location. Or there will be instances where you have lights available, but their output is more than you need. There will be times when you’re on location and you only have natural light around you to work with. The same creative practices that these large-scale productions use can be replicated by you using a standard collapsable reflector or reflector panel that won’t kill your budget. On every major production set, cinematographers and videographers utilize reflectors to help enhance or dilute light. Top image: On the set of Harry Potter and the Order of the Phoenix via Warner Bros. Utilize these tips to creatively use a reflector on location to capture the right lighting for your next production.
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